Sarah Brightman
Total Vocal Range: E♭3-E6
Voice type: Soprano
English-born soprano, best known for her roles in Andrew Lloyd Webber musicals.
Significant High Notes:
E6 - ("The Phantom of the Opera")
D6 - ("Death Duet", "How Can Heaven Love Me")
C♯6 - ("Les Filles De Cadiz" live, "Recordare")
C6 - ("Amigos Para Siempre", "Death Duet", "Doretta's Dream", "How Can Heaven Love Me", "Les Filles ...
Sarah Brightman
↧
↧
Jeff Lynne
Voice Type: Baritenor
Vocal Range: C2-F♯5
Significant High Notes:
F♯5 ("Rockaria!", "Summer and Lightning")
E5 ("Twilight", "Telephone Line")
D5 ("From the End of the World", "Jungle", "Rockaria!", "Summer and Lightning")
C5 ("Across the Border", "Big Wheels", "Evil Woman", "Livin' Thing", "Night in the City", "Nellie Takes Her ...
↧
Greg Puciato
Greg Puciato:
Voice Type: Verdi Baritone
Sung Range: A1-B♭5 (4 Octaves + 1 Semitone)
Total Range: A1-C6 (4 Octaves + 3 Semitones)
Nationality: U.S.A (Baltimore, Maryland)
Associated Acts: "The Dillinger Escape Plan", "Killer Be Killed", "The Black Queen"
Significant High Notes:
C6 ("Phone Home")
B♭5 ("Crossburner", "Panasonic Youth", "Sick On Sunday")
A5 ("82588", "Gold Teeth On A Bum" Live ...
↧
Hayley Williams
Hayley Williams
Vocal range: B♭2 - G♯6
Voice type: Mezzo-soprano
Franklin-based Paramore frontwoman with a powerful yet emotive voice spanning almost four octaves. Williams began recording music with Paramore at the age of just sixteen, recording fan favourites like "Pressure" and "Emergency". Outside of Paramore, Williams has released her own music, occasionally teaming up with other artists. She has a dynamic, exciting voice along with a whistle register (albeit, not ...
↧
Florence Welch
Voice Type: Mezzo-Soprano
Total Range: C♯3-C7
Melodic Range: D3-A6
High notes:
• C7 (Various live performances of "Girl With One Eye", ''Leave My Body'' live New Orleans Jazzfest 2012)
• B6 ("Bedroom Hymns", ''Dog Days Are Over'' live Zenith Paris 27/11/12)
• B♭6 (''Dog Days Are Over'' live at Rockhal 28/11/12, Various 2010 live performances of "Drumming Song", Various live performances of ''Strangeness and Charm'')
• A6 (''Blinding'' live 22/07/2010, ...
↧
↧
Phil Collins
Voice Type: Easy Lover Tenor
Melodic range: C2-B♭5
Total range: C2-D6
Associated Acts: Flaming Youth (1969), Brand X (1975-1977, 1977, 1979), Genesis (1970-1996, 1999, 2000, 2006–present), The Phil Collins Big Band (1996-1998)
Significant High Notes:
D6 ("The Knife" live in Leicester, 1973)
B5 ("Mama" live in Birmingham, 1984)
B♭5 ("In the Cage Medley" various 1981-1984 versions)
A5 ("Behind the Lines" Face Value album version)
G♯5 ("I ...
↧
Chris Cornell
Voice type: Jesus Baritone (suck it Ted Neeley)
Recorded Vocal Range: C♯2-A5
Higher Notes:
A5 ("Birth Ritual" demo, "Face Pollution", "Full on Kevin's Mom", "H.I.V. Baby")
G♯5 ("Cold Bitch", "Heretic", "Jesus Christ Pose")
G5 ("Communication Breakdown" live, "Face Pollution", "Fopp" live 1988, "Heretic", "I Awake" live, "New Damage", "Power Trip", ...
↧
Cyndi Lauper
Melodic Vocal Range: B♭2-B♭6
Total Vocal Range: B♭2-G7
Significant High Notes:
G7 ("Take A Chance" live NYC 1981)
F♯7 ("Late" live NYC 1981)
F7 ("Late" live NYC 1981)
B♭6 ("Lies" live Toronto 1993)
A6 ("Dancing With A Stranger" live Yokohama 1991)
G6 ("A Part Hate")
F6 ("Late", "When You Were Mine")
E6 ("Girls Just Want To Have Fun")
E♭6 ("Don't Make It A Mistake")
D6 ("Late", ...
↧
Morrissey
Known Bands/Projects
The Nosebleeds (1978)
The Smiths (1982-1987)
Melodic Vocal Range: F2-G♯5
Total Vocal Range: F2-B5
Significant High Notes"
B5 ("The Harsh Truth Of The Camera Eye")
G♯5 ("Miserable Lie", "Handsome Devil")
F♯5 ("This Charming Man")
F5 ("This Charming Man")
E5 ("Jeane", "Miserable Lie", "I Am Hated For Loving")
E♭5 ("Why Don't You Find Out For Yourself?")
D5 ("Miserable ...
↧
↧
Elton John
Vocal Type: Metamorphosis
Vocal Range: E2-D6
Significant High Notes:
D6 - "Social Disease"
C6 - "Jamaica Jerk-Off"
B5 - "Social Disease"
A5 - "Chameleon"
G5 - "Bennie and the Jets" (Live 1980-1982), "Billy Bones and the White Bird", "Dan Dare (Pilot of the Future)", "Rock and Roll Madonna", "Stinker", "Two Rooms at the End of the World"
F♯5/G♭5 - "Midnight Creeper"
F5 - ...
↧
Chris Martin
Voice Type: Lovely Baritone
Vocal Range: E♭2-G5
Associated Acts: Coldplay (1997-present)
Significant high notes:
G5 ("Low")
F♯5 ("True Love")
F5 ("42" live from LeftRightLeftRightLeft, "Miracles")
E5 ("Adventure of a Lifetime", "Every Teardrop is a Waterfall", "Here Comes the Sun" The Beatles live cover)
E♭5 ("Army of One", "Beautiful Day" live in Times Square, "Brothers & Sisters", ...
↧
Robert Plant
Vocal Range: E2 - C♯6
Voice Type: 'Oral Sex During Turbulence' Tenor
Significant high notes:
C♯6 ("You Shook Me" live Miami 1969)
B5 ("Sea View")
A5 ("Black Dog", "How Many More Times" live Spokane 1968, "I Can't Quit You Babe" live BBC)
G♯5 ("How Many More Times" live Boston 1969, "I Can't Quit You Babe", "I'm Gonna Crawl", "Since I've Been Loving You" live Copenhagen 1971, "You Shook Me")
G5 ("As ...
↧
Jason Newsted
Voice Type Baritone
Vocal Range G2-G♯5
High Notes
G♯5: ( "Of Wolf and Man" Live Basel 1993 )
G5: ( "Fire Face" )
F5: ( "Givin' it Back" )
E5: ( "Fire Face" )
E♭5: ( "On and On" )
D5: ( "Unipsyho", "Fire Face", "Lay Low" )
C♯5: ( "Nothing", "Not Free" Live Concord 2011, "Through the Night" )
C5: ( "The Real Me", "Unipsycho", "On and On" ...
↧
↧
Roger Taylor
Voice Type: 'Prettier Than You' Tenor
Sung Range: E2-E6
Total Range: B♭1-E6
Significant High Notes:
E6 ("Survival")
D6 ("Survival")
C6 ("Cowboys & Indians")
B5 ("Blag", "The March of the Black Queen", "Son and Daughter (BBC Session)")
B♭5 ("Bohemian Rhapsody", "I Got You (I Feel Good)", "Death on Two Legs (Dedicated To)")
A5 ("'39", "Father to Son", "The Fairy ...
↧
Paul Simon
Voice type: Tenor
Vocal range: E♭2-B5
Significant high notes:
B5 ("Late In The Evening (reprise)" live at Central Park)
F♯5 ("Why Don't You Write Me")
E♭5 ("Baby Driver", "The Obvious Child")
C♯5 ("Why Don't You Write Me?")
C5 ("Diamonds on the Soles of Her Shoes", "Papa Hobo", "Slip Slidin' Away", "You Can Call Me Al")
B♭4 ("Gumboots", "Keep the Customer Satisfied", "Peace ...
↧
Rob Halford
Voice type: Victim Of Voice Changes
Vocal range: C2-C♯6
Significant high notes:
C♯6 ("Love Bites" live 1984)
C6 ("Love Bites" live, "Painkiller" live, "Victim Of Changes" live 2004)
B5 ("Dissident Aggressor", "Sad Wings" live Insurrection, "Painkiller" live 2015)
B♭5 ("Into The Pit" live 1993)
A5 ("All the Way", "Beyond the Realms of Death" live Unleashed in the East, "Deceiver" ...
↧
Freddie Mercury
Voice Type: Mercury Tenor (See explanation below)
Vocal Range: F2-F6
Significant High Notes:
F6 - "Get Down Make Love" (Live)
E6 - "It's Late"
D♯6/E♭6 - "Get Down Make Love" (Live), "Impromptu" (Sun City 1984)
D6 - "Impromptu" (Tokyo 1985), "Save Me"
C♯6/D♭6 - "I Go Crazy", "Impromptu" (Milan 1984)", "Ogre Battle",
C6 - "Don't Stop Me Now", "Impromptu" (Tokyo 1985)"
B5 ...
↧
↧
Trevor Rabin
Voice Type: Tenor
Vocal Range: A2-D6
Significant high notes:
D6 - "I've Seen All Good People" Union Live
A5 - "Leave It (A Capella)", "Something to Hold On To", "Lift Me Up"
G♯5 - "I'm with You" Cinema demo
G5 - "The Calling"
F♯5 - "It's Enough" Cinema demo
F5 - "Hold On" 90124 demo, "Slow Dancer" Cinema demo, "Endless Dream"
E5 - "The Calling", "City of Love", ...
↧
Robert Smith (The Cure)
Voice type: Tenor
Sung range: E2-D6
Total range: E2-D6
Significant high notes:
D6 ("Friday I'm in Love")
A5 ("Cut", "The Baby Screams")
G5 ("Fight", "Fight", "Taking Off", "Why Can't I Be You?")
F♯5 ("Gone!", "(I Don't Know What's Going) On", "Shiver and Shake")
F5 ("Fight", "Labyrinth", "Us or Them", "Why Can't I Be You?")
E5 ("All ...
↧
Layne Staley
Voice type: Tenor
Melodic vocal range: E♭2-B♭5
Total vocal range: E♭2-A6
Significant high notes:
A6 ("False Alarm" live)
G6 ("False Alarm" live)
F6 ("Queen of the Rodeo" live)
B♭5 (Father Rock movie appearance)
F♯5 ("I Can't Have You Blues", "I Can't Remember")
F5 (Father Rock movie appearance, "Over the Edge")
E5 ("Glamorous Girls", "Nothin' Song")
E♭5 ("Bleed the Freak", "Fat Girls" ...
↧
More Pages to Explore .....
